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Our Films - Conflict
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1876 - AN ENTERTAINMENT (30 min)
[ Filmmaker/s : ANASUYA VAIDYA ]
[ Theme : Conflict ]
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Enacted by the British colonial government to control any subversive, nationalistic or artistic expression, the Dramatic Performances Act of 1876 has been retained in the law books in India, even while it has been repealed in other non-democracies. The film will follow a group of artists as they try to defeat, overcome or sidestep the Act.
[ Filmmaker/s : ANASUYA VAIDYA ]
[ Theme : Conflict ]
[ Add Comment ]
Enacted by the British colonial government to control any subversive, nationalistic or artistic expression, the Dramatic Performances Act of 1876 has been retained in the law books in India, even while it has been repealed in other non-democracies. The film will follow a group of artists as they try to defeat, overcome or sidestep the Act.ABOUT ELSEWHERE (30 min)
[ Filmmaker/s : PRIYA SEN ]
[ Theme : Conflict ]
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About Elsewhere seeks to foreground the impossibility of fixing notions of sexuality through ideas of 'identity' and 'language'. As the film moves through the various worlds the filmmaker inhabits, it suggests a self in constant formation; one that constructs itself from parts and places that are in themselves, fragments of memory and experience.
[ Filmmaker/s : PRIYA SEN ]
[ Theme : Conflict ]
[ Add Comment ]
About Elsewhere seeks to foreground the impossibility of fixing notions of sexuality through ideas of 'identity' and 'language'. As the film moves through the various worlds the filmmaker inhabits, it suggests a self in constant formation; one that constructs itself from parts and places that are in themselves, fragments of memory and experience.ACROSS FAULT LINES (UP) (30 min)
[ Filmmaker/s : PRIYA KRISHNASWAMY ]
[ Theme : Conflict ]
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The film attempts to look at civil society movements to foster peace building and active co-existence in the Indo-Pakistan region. Such as WISCOMP’s initiative at building relationships across fault lines by organising workshops and conferences to deliberate on interventions for peace at various levels.
[ Filmmaker/s : PRIYA KRISHNASWAMY ]
[ Theme : Conflict ]
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The film attempts to look at civil society movements to foster peace building and active co-existence in the Indo-Pakistan region. Such as WISCOMP’s initiative at building relationships across fault lines by organising workshops and conferences to deliberate on interventions for peace at various levels.APPLES AND ORANGES (30 min)
[ Filmmaker/s : ANURADHA CHANDRA ]
[ Theme : Conflict ]
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The film locates conflict, as a result of differing ideas and elaborates further
on this idea by exploring the conflict in ideas of good cinema or films. The film is largely composed of material that happens along the filmmaker’s path in an everyday living -
rarely veering off to find any specific locations or shots to fit a particular
section.
[ Filmmaker/s : ANURADHA CHANDRA ]
[ Theme : Conflict ]
[ Add Comment ]
The film locates conflict, as a result of differing ideas and elaborates further
on this idea by exploring the conflict in ideas of good cinema or films. The film is largely composed of material that happens along the filmmaker’s path in an everyday living -
rarely veering off to find any specific locations or shots to fit a particular
section.
ATHWAAS - THE JOURNEY (30 min)
[ Filmmaker/s : ASHIMA KAUL BHATIA ]
[ Theme : Conflict ]
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[ Filmmaker/s : ASHIMA KAUL BHATIA ]
[ Theme : Conflict ]
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In 2001, a few Kashmiri women from diverse backgrounds and who had experienced the Kashmir conflict differently, came together to listen to each other. They named themselves Athwaas, a Kashmiri word meaning a handshake. The core group of Athwaas later traveled to different parts of the Kashmir Valley and camps of the displaced Kashmiri Pandit community in Jammu, listening to the stories of pain, suffering and resilience of women divided across multiple faultlines. The film traces the emotional and physical journey of each woman in Athwaas beginning from the personal narrative of the director when she first visited the Valley to the time Athwaas was formed.
AYODHYA GATHA (60 min)
[ Filmmaker/s : VANI SUBRAMANIAN ]
[ Theme : Conflict ]
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The film weaves together a tapestry of perspectives on how deeply the politics of hate affect personal everyday lives, and what it takes to negotiate your way out of these labyrinths.
[ Filmmaker/s : VANI SUBRAMANIAN ]
[ Theme : Conflict ]
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The film weaves together a tapestry of perspectives on how deeply the politics of hate affect personal everyday lives, and what it takes to negotiate your way out of these labyrinths. ‘WAPSI’ (the Returning…) (60 min)
[ Filmmaker/s : AJAY RAINA ]
[ Theme : Conflict ]
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For most Indians & Pakistanis a visit to each others’ country is a journey of return of various kinds – to nostalgia, hate, metaphor and reality. This film is one such travelogue, a song of hope, love, longing and betrayal.
[ Filmmaker/s : AJAY RAINA ]
[ Theme : Conflict ]
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For most Indians & Pakistanis a visit to each others’ country is a journey of return of various kinds – to nostalgia, hate, metaphor and reality. This film is one such travelogue, a song of hope, love, longing and betrayal.DARK CIRCLES (UP) (30 min)
[ Filmmaker/s : ANSHUMAN BARUA ]
[ Theme : Conflict ]
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Assam, a land more famous for its problems of insurgency than its natural beauty. Is plaugued by the United Liberation Front of Assam or ULFA which occupies the centre stage, apart from many other insurgent outfits which operate here, each having its own demands ranging from an autonomous area to a complete sovereign nation. ‘Dark Circles’ attempts to be a visual analysis of this ‘why’ at the same time also attempting to look at possible solutions.
[ Filmmaker/s : ANSHUMAN BARUA ]
[ Theme : Conflict ]
[ Add Comment ]
Assam, a land more famous for its problems of insurgency than its natural beauty. Is plaugued by the United Liberation Front of Assam or ULFA which occupies the centre stage, apart from many other insurgent outfits which operate here, each having its own demands ranging from an autonomous area to a complete sovereign nation. ‘Dark Circles’ attempts to be a visual analysis of this ‘why’ at the same time also attempting to look at possible solutions.DELHI DIARY 2001 (55 min)
[ Filmmaker/s : RANJANI MAZUMDAR ]
[ Theme : Conflict ]
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The film attempts to understand the impact of the imposition of Emergency (1975-77) and the anti-Sikh riots of 1984 on the lives of people in the city of Delhi, scarring them with the memory of terror
[ Filmmaker/s : RANJANI MAZUMDAR ]
[ Theme : Conflict ]
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The film attempts to understand the impact of the imposition of Emergency (1975-77) and the anti-Sikh riots of 1984 on the lives of people in the city of Delhi, scarring them with the memory of terror DEMOCRACY IN EXILE (30 min)
[ Filmmaker/s : TASHI WANGCHUK & TSULTRIM DORJEE ]
[ Theme : Conflict ]
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The film explores the debate among the general mass of Tibetan people in India about the two major possible goals of future Tibet - Genuine Autonomy, a middle path proposed by the Tibetan Exile Government and an 'Independent Tibet' as proposed by the Tibetan Youth Congress.
[ Filmmaker/s : TASHI WANGCHUK & TSULTRIM DORJEE ]
[ Theme : Conflict ]
[ Add Comment ]
The film explores the debate among the general mass of Tibetan people in India about the two major possible goals of future Tibet - Genuine Autonomy, a middle path proposed by the Tibetan Exile Government and an 'Independent Tibet' as proposed by the Tibetan Youth Congress.
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